DANCE 3560 / THETR 3690 / MUSIC 3441
Spring 2011
Instructor: Allen Fogelsanger
Department of Theatre, Film & Dance
Cornell University
*Baumgartner, Henry. "How to catch a ghost." Mechanical Engineering 121/4 (April 1999): 108.
CUL. *Birringer, Johannes. "Dance and Interactivity." Dance Research Journal 35/2-36/1 (Winter 2003-Summer 2004): 88-111.
CUL. Birringer, Johannes. "Dance and Media Technologies." PAJ - A Journal of Performance and Art 24/1 (70, January 2002): 84-93.
Brown, Ross. "The Theatre Soundscape and the End of Noise." Performance Research 10/4 (December 2004): 105-119.
Burg, Jennifer & Lüttringhaus, Karola. "Entertaining with Science, Educating with Dance." Computers in Entertainment 4/2 (April-June 2006).
Camurri, Antonio; Mazzarino, Barbara; Menocci, Stefania; Rocca, Elisa; Vallone, Ilaria; & Volpe, Gualtiero. "Expressive Gesture and Multimodal Interactive Systems." Proceedings of the AISB 2004 COST287-ConGAS Symposium on Gesture Interfaces for Multimedia Systems (The Society for the Study of Artificial Intelligence and the Simulation of Behaviour, 2004): 15-21.
CUL. Camurri, Antonio; Mazzarino, Barbara; Ricchetti, Matteo; Timmers, Renee; & Volpe, Gualtiero. "Multimodal Analysis of Expressive Gesture in Music and Dance Performance." Gesture-Based Communication in Human-Computer Interaction: 5th International Gesture Workshop, GW 2003, Genova, Italy (Lecture Notes in Computer Science 2915, 2004): 20-39.
Carson, Andrea. "Nervous Systems." Canadian Art 22/2 (Summer 2005): 66-67.
CUL. Carter, Curtis L. "Improvisation in Dance." The Journal of Aesthetics and Art Criticism 58/2 (Spring 2000): 181-190.
Cook, Nicholas. "Models of Multimedia." Ch. 3 in Analysing Musical Multimedia (Oxford, 1998): 98-129.
CUL. Copeland, Roger. "Cunningham, Collage, and the Computer." PAJ: A Journal of Performance and Art 21/3 (September 1999): 42-54.
Coulter, John. "Electroacoustic Music with Moving Images: The Art of Media Pairing." Organised Sound 15/1 (March 2010): 26-34.
CUL. Coulter-Smith, Graham & Coulter-Smith, Elizabeth. "Art Games: Interactivity and the Embodied Gaze." Technoetic Arts 4/3 (2006): 169-182.
*David, Mark. "Real-time Motion-e capture makes dance a digital art." Electronic Design 53/10 (12 May 2005): 19.
CUL. De Spain, Kent. "Dance and technology: A Pas-de-Deux for post-humans (Virtual dance collaborations initiated by Paul Kaiser and Shelley Eshkar with Merce Cunningham and Bill T. Jones)." Dance Research Journal 32/1 (Summer 2000): 2-17.
CUL. Dils, Ann. "The Ghost in the Machine: Merce Cunningham and Bill T. Jones." PAJ: A Journal of Performance and Art 70 (24/1, January 2002): 94-104.
CUL. Dipper, Götz. "Interactive Interfaces: Installations Produced at the ZKM | IMA." Organised Sound 14/3 (December 2009): 286-298.
Dix, Alan; Sheridan, Jennifer G.; Reeves, Stuart; Benford, Steve; & O'Malley, Claire. "Formalising Performative Interaction." Interactive Systems: Design, Specification, and Verification (Lecture Notes in Computer Science 3941, 2006): 15-25.
Downie, Marc. Choreographing the Extended Agent (Doctoral thesis, MIT Media Lab, September 2005). Online at http://www.openendedgroup.com/index.php/publications/thesis-downie/.
*Downie, Marc, interviewed by Soerensen, Emil Bach & Lyng, Tatiana. "'How long does the subject linger on the edge of the volume...'." News from artificial.dk 15 (December 2005).
*Downie, Marc; Eshkar, Shelly; & Kaiser, Paul. "how long does the subject linger on the the edge of the volume..." Online at http://www.openendedgroup.com/index.php/artworks/how-long/.
Driver, Senta, ed. William Forsythe (Choreography and Dance 5/3, 2000).
CUL. Drummond, Jon. "Understanding Interactive Systems." Organised Sound 14/2 (August 2009): 124-133.
CUL. Eitan, Zohar & Granot, Roni Y. "How Music Moves: Musical Parameters and Listeners' Images of Motion." Music Perception 23/3 (February 2006): 221-248.
El-Nasr, Magy Seif & Vasilakos, Athanasios V. "DigitalBeing - Using the Environment as an Expressive Medium for Dance." Information Sciences 178/3 (February 1, 2008): 663-678.
Fogelsanger, Allen & Afanador, Kathleya. "Parameters of Perception: Vision, Audition, and Twentieth-Century Music and Dance." Continuing Dance Culture Dialogues: Southwest Borders and Beyond (The 38th Congress on Research in Dance Annual Conference, 2006): 56-65.
CUL. Godøy, Rolf Inge. "Gestural-Sonorous Objects: Embodied Extensions of Schaeffer's Conceptual Apparatus." Organised Sound 11/2 (August 2006): 149-157.
Godøy, Rolf Inge. "Images of Sonic Objects." Organised Sound 15/1 (March 2010): 54-62.
CUL. Goldman, Danielle. "Ghostcatching: An Intersection of Technology, Labor, and Race." Dance Research Journal 35/2-36/1 (Winter 2003-Summer 2004): 68-87.
CUL. Greenfield, Gary R. "Art by Computer Program == Programmer Creativity." Digital Creativity 17/1 (March 2006): 25-35.
*Hagendoorn, Ivar. "Emergent Patterns in Dance Improvisation and Choreography." Proceedings of the 2002 International Conference on Complex Systems (InterJournal).
*Huhtamo, Erkki. "Trouble at the Interface, or the Identity Crisis of Interactive Art." Revised version online at http://193.171.60.44/dspace/bitstream/10002/299/1/Huhtamo.pdf. First published in Framework, The Finnish Art Review 2 (November 2004): 38-41.
Hummels, Caroline; Overbeeke, Kees C. J.; & Klooster, Sietske. "Move to Get Moved: A Search for Methods, Tools and Knowledge to Design for Expressive and Rich Movement-Based Interaction." Personal and Ubiquitous Computing 11 (2007): 677-690.
*Jensenius, Alexander Refsum; Godøy, Rolf Inge; & Wanderley, Marcelo M. "Developing tools for studying musical gestures within the Max/MSP/Jitter environment." Proceedings of the International Computer Music Conference (2005): 282-285.
CUL. Jones, Randy & Nevile, Ben. "Creating Visual Music in Jitter: Approaches and Techniques." Computer Music Journal 29/4 (Winter 2005): 55-70.
Juslin, Patrik N.; Friberg, Anders; & Bresin, Roberto. "Toward a computational model of expression in performance: The GERM model." Musicae Scientia (Special Issue 2001-2002): 63-122.
*Kaiser, Paul. "Dance Geometry: a Conversation with William Forsythe." Performance Research 4/2 (Summer 1999).
*Kaiser, Paul. "Frequently Pondered Questions." Ch. 18 in Envisioning Dance on Film and Video, ed. Judy Mitoma (Routledge, 2002): 108-112.
*Kaiser, Paul. "Steps." Originally published in Cooper Union's catalogue for Ghostcatching (January 1999).
CUL. *Kaiser, Paul, interviewed by De Spain, Kent. "Digital dance: The computer artistry of Paul Kaiser." Dance Research Journal 32/1 (Summer 2000): 18-23.
*Kaiser, Paul; Eshkar, Shelley; & Jones, Bill T. "Ghostcatching." Online at http://www.openendedgroup.com/index.php/artworks/ghostcatching/.
Kozel, Susan. "Ghostcatching: More Perspectives on Captured Motion." Dance Theatre Journal 15/2 (1999): 13-15.
Lewis, Matthew. "Aesthetic Video Filter Evolution in an Interactive Real-Time Framework." Applications of Evolutionary Computing (Lecture Notes in Computer Science 3005, 2004): 409-418.
Miller, David P. "Indeterminacy and Performance Practice in Cage's Variations." American Music 27/1 (Spring 2009): 60-86.
CUL. *Miller, Leta E. "Cage, Cunningham, and collaborators: The odyssey of Variations V." The Musical Quarterly 85/3 (Fall 2001): 545-567.
Mitoma, Judy, ed. Envisioning dance on film and video (Routledge, 2002).
Morgenroth, Joyce. "Recent History." Dance Improvisation (University of Pittsburgh Press, 1987): xi-xiv.
Mumma, Gordon. "Four Sound Environments for Modern Dance." Impulse: The Annual of Contemporary Dance (1967): 12-15.
Neri, Louise. "Trisha Brown: Esprit de Corps." Parkett 74 (2005): 177-185.
Ng, Kia C. "Music via Motion: Transdomain Mapping of Motion and Sound for Interactive Performances." Proceedings of the IEEE 92/4 (April 2004): 645-655.
*Rokeby, David. "The Harmonics of Interaction." Musicworks 46 (Spring 1990).
CUL. Saltz, David Z. "The Art of Interaction: Interactivity, Performativity, and Computers." The Journal of Aesthetics and Art Criticism 55/2 (Perspectives on the Arts and Technology, Spring, 1997): 117-127.
CUL. *Schedel, Margaret & Rootberg, Alison. "Generative Techniques in Hypermedia Performance." Contemporary Music Review 28/1 (February 2009): 57-73.
CUL. *Schiller, Gretchen. "From the Kinesphere to the Kinesfield: Three Choreographic Interactive Artworks." Leonardo 41/5 (2008): 431-437.
Schiphorst, Thecia. "Merce Cunningham: Making Dances with the Computer." Choreography and Dance - An International Journal 4/3 (1997): 79-98.
CUL. *Smuts, Aaron. "What Is Interactivity?" Journal of Aesthetic Education 43/4 (Winter 2009): 53-73.
Steinkamp, Jennifer. "My Only Sunshine: Installation Art Experiments with Light, Space, Sound and Motion." Leonardo 34/2 (April 2001): 109-112.
CUL. *Usselmann, Rainer. "The Dilemma of Media Art: Cybernetic Serendipity at the ICA London." Leonardo 36/5 (October 2003): 389-396.
*Wechsler, Robert. "O, Body Swayed to Music (and Vice Versa): Roles for the Computer in Dance." Leonardo 30/5 (October/November 1997): 385-389.
Whalley, Ian. "Software Agents in Music and Sound Art Research / Creative Work: Current State and a Possible Direction." Organised Sound 14/2 (August 2009): 156-167.
CUL. *Winkler, Todd. Composing Interactive Music: Techniques and Ideas Using Max (MIT, 1998). eBook.
*Winkler, Todd. "Creating Interactive Dance with the Very Nervous System." Proceedings of the 1997 Connecticut College Symposium on Arts and Technology.
Winkler, Todd. "Fusing Movement, Sound, and Video in Falling Up, an Interactive Dance/Theatre Production." Proceedings of the 2002 Conference on New Instruments for Musical Expression (NIME-02).
Winkler, Todd. "Making Motion Musical: Gesture Mapping Strategies for Interactive Computer Music." Proceedings of the 1996 International Computer Music Conference.
Winkler, Todd. "Motion-Sensing Music: Artistic and Technical Challenges in Two Works for Dance." Proceedings of the 1998 International Computer Music Conference.
CUL. *Zacks, Rebecca. "Dances with machines." Technology Review 102/3 (May/June 1999): 58-62.
Zimmer, Elizabeth. "Trisha Brown's Dance with Electrons Arrives at Lincoln Center." The Village Voice (8 April 2005).
http://jmpelletier.com/cvjit/
(cv.jit - computer vision for jitter - Jean-Marc Pelletier)
http://www.cycling74.com/
(Cycling '74)
http://www.dance-tech.net/
(dance-tech.net: interdisciplinary explorations on the performance of motion)
http://www.vam.ac.uk/microsites/decode/
(Decode: Digital Design Sensations)
http://empac.rpi.edu/
(EMPAC: The Curtis R. Priem Experimental Media and Performing Arts Center)
http://www.fourms.uio.no/
(FourMs - Music, Mind, Motion, Machines)
http://ftm.ircam.fr/index.php/Gesture_Follower
(Gesture Follower)
http://www.cooper.edu/art/ghostcatching/
(Ghostcatching - Bill T. Jones)
http://www.ballet.co.uk/cgi/reviews_database_search/db_search.cgi?production=How%20Long%20Does
(reviews of How Long Does the Subject Linger on the Edge of the Volume...)
http://interactivemultimediatechnology.blogspot.com/
(Interactive Multimedia Technology)
http://www.leonardo.info/
(Leonardo)
http://ame2.asu.edu/motione/
(motion-e: Arts, Media and Engineering Program)
http://www.hf.uio.no/imv/english/research/projects/musicalgestures/
(The Musical Gestures Project)
http://www.openendedgroup.com/
(OpenEnded Group)
http://www.osculator.net/
(Osculator)
http://www.palindrome.de/
(Palindrome Inter.media Performance Group)
http://homepage.mac.com/davidrokeby/home.html
(David Rokeby - Media Installation Artist)
http://www.troikaranch.org/
(Troika Ranch)
Motione, Arizona State University: Arts, Media and Engineering Program
Trisha Brown: ...how long does the subject linger on the edge of the volume...
Bill T. Jones: 22
Cox Library of Music and Dance DVD 743
Variations V, by Merce Cunningham
Cox Library of Music and Dance Videotape 458
Forsythe, William. Improvisational Technologies: A Tool for the Analytical Dance Eye. Hatje Cantz Publishers, 2000.
ISBN: 3775708502
Hard to find. Available for $45 at D.A.P. Distributed Art Publishers, Inc., 155 Sixth Avenue, 2nd Floor, New York, NY 10013, 212-627-1999, http://store.yahoo.com/artbook/3775708502.html, http://www.artbook.com/3775708502.html and in Cornell's Cox Library of Music and Dance, CD-ROM 87 (earlier edition CD-ROM 50). Also $45 at http://shop.store.yahoo.com/wexnerbookshop/imteedwifoet.html.