DANCE 319 / MUSIC 319 / THETR 319 / VISST 319: Course Packet Contents / Bibliography

    MUSIC, DANCE & LIGHT

    Instructors: Allen Fogelsanger, E.D. Intemann

    SEEING LIGHT

  1. Ackerman, Diane. Selections from A Natural History of the Senses (Vintage Books, 1995). ISBN: 0394573358. Total 22 of 331 pages.
  2. Appia, Adolphe. "Actor, Space, Light, Painting." From Adolphe Appia: Essays, Scenarios, and Designs (UMI Research Press, 1989) pp. 183-185 [3 of 480 pages]. ISBN: 0835719456.
  3. Appia, Adolphe. "The Elements." From The Work of Living Art, translated by H. D. Albright (University of Miami Press, 1960) pp. 3-18 [16 of 131 pages]. ISBN: 0870243055.
  4. de Marigny, Chris. "Light, Real Time and Jennifer Tipton." From Dance Theatre Journal Vol. 11 #1 (Winter 1993/94) pp. 12-15.
  5. Jones, Robert Edmond. "Light and Shadow." From Theatre Arts Vol. 25 #2 (February 1941) pp. 131-139.
  6. Kittler, Friedrich A. "Opera in the Light of Technology." From Languages of Visuality: Crossings between Science, Art, Politics, and Literature, edited by Beate Allert (Wayne State University Press, 1996) pp. 73-85 [13 of 270 pages]. ISBN: 0814325408.
  7. Shyer, Laurence. "Beverly Emmons." From Robert Wilson and His Collaborators (Theatre Communications Group, 1989) pp. 191-202 [12 of 347 pages]. ISBN: 0930452968.
  8. Holmberg, Arthur. "The Deep Surface." From The Theatre of Robert Wilson (Cambridge University Press, 1996) pp. 121-151 [31 of 229 pages]. ISBN: 0521364922.

    9. HEARING SOUND

  9. Rothstein, Edward. "The Twilight Fantasies of Elliott Carter." From The New Republic, December 26, 1988, pp. 23-28.
  10. Morton, Brian. "Elliott Carter." From The Blackwell Guide to Recorded Contemporary Music (Blackwell Publishers, 1996) pp. 53-59 [7 of 361 pages]. ISBN: 0-631-20138-6.
  11. Feldman, Morton. "Crippled Symmetry." From Res #2 (Autumn 1981) pp. 91-103.

    12. SEEING MOVEMENT

  12. Jowitt, Deborah. "Expression and Expressionism in American Modern Dance." From Dance History: An Introduction, edited by Janet Adshead-Lansdale and June Layson (Routledge, 1983) pp. 169-181 [13 of 289 pages]. ISBN: 0-415-09030X.
  13. Aloff, Mindy. "Husbandry." From The New Republic, April 3, 2000, pp. 25-27.
  14. Banes, Sally. "Choreographic Methods of the Judson Dance Theater." From Writing Dancing in the Age of Postmodernism (Wesleyan University Press, 1994) pp. 211-226 & endnotes p. 379 [17 of 412 pages]. Banes, "Dancing," is from the same source, total pages 36 of 412. ISBN: 0-8195-5266-6.
  15. Carroll, Noël. "Post-Modern Dance and Expression." From Philosophical Essays on Dance, edited by Gordon Fancher and Gerald Myers (Dance Horizons, 1981) pp. 95-114 [20 of 166 pages]. ISBN: 0-87127-126-5.
  16. Rainer, Yvonne. "NO manifesto." From p. 178 of "Some Retrospective Notes on a Dance for 10 People and 12 Mattresses Called 'Parts of Some Sextets' Performed at the Wadsworth Atheneum, Hartford, Connecticut, and Judson Memorial Church, New York, in March 1965," Tulane Drama Review #10 (Winter 1965) pp. 168-178.
  17. Rainer, Yvonne. "A Quasi-Survey of Some 'Minimalist' Tendencies in the Quantitatively Minimal Dance Activity midst the Plethora, or an Analysis of Trio A." From What Is Dance?: Readings in Theory and Criticism, edited by Roger Copeland and Marshall Cohen (Oxford University Press, 1983) pp. 325-332 [8 of 582 pages]. ISBN: 0-19-503217-9.
  18. Nugent, Ann. "Confounding Expectations." From Dance Theatre Journal Vol. 13 #1 (1996) pp. 22-25.
  19. Haffner, Nik. "Observing Motion: An Interview with William Forsythe." From the booklet accompanying the CD-ROM Improvisation Technologies: A Tool for the Analytical Dance Eye, second edition, by William Forsythe (Zentrum für Kunst und Medientechnologie Karlsruhe, 2003) pp. 16-27 even numbered [6 of 68 pages]. ISBN: 3-7757-0850-2.
  20. Acocella, Joan. "Music." From Mark Morris (Farrar Straus Giroux, 1993) pp. 159-181 [22 of 305 pages]. ISBN: 0374202958.
  21. Moore, David W. Excerpt of "Bach: Cello Suites; The Music Garden; The Sound of the Carceri; Falling Down Stairs; Sarabande; Struggle for Hope; Six Gestures." From American Record Guide Vol. 61 #6 (November/December 1998) pp. 336-338.
  22. Kisselgoff, Anna. Excerpt of "Dance Review; Artful Workout on the Stairmaster." From The New York Times, Monday, March 1, 1999.

    23. THE FOUR TEMPERAMENTS

  23. Fogelsanger, Allen. "Notes on The Four Temperaments." Unpublished.
  24. Siegel, Marcia B. "Four Temperaments (George Balanchine)." From The Shapes of Change: Images of American Dance (University of California Press, 1979) pp. 213-221 & endnotes p. 373 [10 of 386 pages]. ISBN 0-520-04203-4.
  25. Wilkins, Darrell. "The Four Temperaments: An Interpretation." From Ballet Review Vol. 21 #2 (Summer 1993) pp. 81-87.
  26. Sontag, Susan. "Against Interpretation." From Against Interpretation (Octagon Books, 1978) pp. 3-14 [12 of 304 pages]. ISBN 0-374-97514-0.
  27. Daly, Ann. "The Balanchine Woman: Of Hummingbirds and Channel Swimmers." From The Drama Review Vol. 31 #1 (Spring 1987) pp. 8-21.
  28. Copeland, Roger. "In Defence of Formalism: The Politics of Disinterestedness." From Dance Theatre Journal Vol. 7 #4 (February 1990) pp. 4-7, 37-39.
  29. Jordan, Stephanie, and Helen Thomas. "Dance and Gender: Formalism and Semiotics Reconsidered." From Dance Research Vol. 12 #2 (Fall 1994) pp. 3-14.
  30. Carroll, Noël. "Formalism." From The Routledge Companion to Aesthetics, edited by Berys Gaut and Dominic McIver Lopes (Routledge, 2001) pp. 87-96 [10 of 580 pages]. ISBN: 0-415-20737-1.
  31. Sontag, Susan. "On Style." From Partison Review Vol. 32 (1965) pp. 543-560.

    32. VARIATIONS V / BEACH BIRDS FOR CAMERA

  32. Cunningham, Merce. "Space, Time and Dance." From Merce Cunningham: Dancing in Space and Time, edited by Richard Kostelanetz (A Cappella Books, 1992) pp. 37-39 [3 of 243 pages]. ISBN: 1-55652-152-9.
  33. Mumma, Gordon. "Four Sound Environments for Modern Dance." From Impulse: The Annual of Contemporary Dance, 1967, pp. 12-15.
  34. Vaughan, David. Excerpt of "1965." From Merce Cunningham: Fifty Years, chronicle and commentary by David Vaughan, edited by Melissa Harris (Aperture, 1997) pp. 146-147, 150 & endnotes pp. 282-283 [5 of 283 pages]. ISBN: 0-89381-767-8.
  35. Carter, Elliott. "The Gesamtkunstwerk." From Elliott Carter: Collected Essays and Lectures, 1937-1995, edited by Jonathan W. Bernard (University of Rochester Press, 1997) pp. 319-331 [13 of 369 pages]. ISBN: 1-878822-70-5.
  36. Banes, Sally. "Dancing [with/to/before/on/in/over/after/against/away from/without] the Music: Vicissitudes of Collaboration in American Postmodern Choreography." From Writing Dancing in the Age of Postmodernism (Wesleyan University Press, 1994) pp. 310-326 & endnotes pp. 383-384 [19 of 412 pages]. Banes, "Choreographic Methods," is from the same source, total pages 36 of 412. ISBN: 0-8195-5266-6.
  37. Jowitt, Deborah. Excerpt of "Silence and Stillness." From The Village Voice Vol. 37 #13 (March 31, 1992) p. 93.
  38. Penman, Robert. Excerpt of "Summer Dance on BBC-2: Art and Artifice on Television." From The Dancing Times Vol. 85 #1020 (September 1995) pp. 1139-1142.
  39. Copeland, Roger. Selections from Merce Cunningham: The Modernizing of Modern Dance (Routledge, 2004). ISBN: 0-415-96575-6. Total 19 of 304 pages.
  40. Kuhn, Laura. Excerpt of "Cunningham + Cage." From Ballet Review Vol. 26 #3 (Fall 1998) pp. 80-98.

    41. TWELVE TON ROSE

  41. Fogelsanger, Allen. "Dancing to the Music between Balanchine and Cunningham." From Dance Program Newsletter (Cornell University Department of Theatre, Film & Dance) Vol. 4 (2000) pp. 1-3.
  42. Langer, Susanne K. "Deceptive Analogies: Specious and Real Relationships among the Arts." From Problems of Art: Ten Philosophical Lectures (Charles Scribner's Sons, 1957) pp. 75-89 [15 of 184 pages]. ISBN: 0023675101.
  43. Levinson, Jerrold. "Hybrid Art Forms." From Music, Art, and Metaphysics: Essays in Philosphical Aesthetics (Cornell University Press, 1990) pp. 26-36 [11 of 419 pages]. ISBN: 0-8014-9591-1.
  44. Carroll, Noël. "A Contribution to the Theory of Movie Music." From Mystifying Movies: Fads & Fallacies in Contemporary Film Theory (Columbia University Press, 1988) pp. 213-225 & endnotes pp. 256-257 [15 of 262 pages]. ISBN: 0-231-05954-X.
  45. Schnebel, Dieter. "Visible Music." From Classic Essays on Twentieth-Century Music: A Continuing Symposium, selected and annotated by Richard Kostelanetz and Joseph Darby, assistant editor Matthew Santa (Schirmer Books, 1996) pp. 283-295 [13 of 404 pages]. ISBN: 0-02-864581-2.